Saturday, October 19, 2019

Countdown



This isn't the entirety of my inventory going into the show season, but it's all I have and - other than the scarves still stored at the annex - about all I'm likely to have bar the few rayon chenille scarves I got woven this month.

This level of inventory feels very low to me.  I usually have nearly double this at the beginning of the sales.  But I've been sick more days than I haven't been, and at the end of the year, I'm retiring from doing craft fairs, so...

The main goal at this point is to reduce my inventory, not grow it.  Some of the items have been around for several years, and it may be that no one wants them, period. 

As I count up the benefits of retiring, it is necessary to remind myself that I no longer will be in the rat race and it isn't imperative that I scramble getting as much woven as possible in the next few days.

Instead I have been focusing on finishing what was in the queue.  To that end, I finished off the rayon chenille warps that I had wound in September and this morning cleared off the dining room table so I can begin fringe twisting them.

Doug will go press the last two dozen mats and their matching runners tomorrow, so there will be one more pile of mats to add to the shelves shown here.  He will also pack up whatever scarves are at the annex because he will begin loading up the van on Tuesday.  The first show of the season begins with set up next Friday, sales Sat/Sun, then a couple of days off and set up the following Thursday with the sale running Fri-Sun.  Then we get a week 'off' before heading to Calgary for Art Market.

Beyond the guild sale on Nov. 30/Dec. 1, my textiles will be available at the CAC Studio Shop on consignment or from me directly.  What I do is ask what the person is interested in, then send photos of what I have on hand.

Normally I would be scrambling to make as much as possible in order to sell enough to tide me through the slow months of the coming new year.  But this year is different.  By shutting down my business, I am hoping that whatever residual income I have (book sales, consignment sales, etc.) will cover the reduced amount of money needed for buying more yarn, covering bank fees, paying membership dues and so on. 

I still have not decided if I will attend Convergence in Knoxville.  I know a lot of weavers in the area and it would be fun to spend some time with them, especially at a large fibre festival.  But do I want to make the trip?  It won't be cheap, flying to TN in tourist season.  Not to mention the dark o'clock departures.  I'm so not wanting to deal with 6 am flights anymore.

Next week I will also deal with the paperwork and lab tests for the foot surgery.  They won't give me a surgical date until I've been cleared by the anesthesiologist, plus they will be closed for a couple of weeks in December.  So I may not be able to get it done until January.  In which case Doug will chauffeur Mary and me around because I won't be driving until I recover.

So - lots of count downs in progress.  Craft fair season.  Retirement.  Surgery.  For today, I'm going to go to the Megado and see how well I did beaming that #3 test warp. 

At least the sun is shining today.  Which makes a nice change.  And snow is in the forecast.  A timely reminder to folk to attend the craft fairs and think about the upcoming Christmas season.


Friday, October 18, 2019

When Things Don't Go 'Right'



As adults we think we should not make mistakes - that everything we turn our hand to should be 'perfect' the first go round.

There is a hard lesson in there.  Because whenever we try something new, something different, there is a high probability that not all will go smoothly.  That our results won't be perfect.

Far from perfect, at times.

When you are slithering around at the bottom end of the learning curve, it is hard to feel joy.  Irritation, yes.  Frustration?  Absolutely.  Joy?  Not so much.

Yesterday I beamed test warp #3 on the Megado.  Part of my mistake was once again beaming a warp that is a very dark blue/black.  This made it hard to see as I tried to evenly fill each section.  I thought I was getting better at it, things seemed to be progressing in a direction that looked better than the time before.

I left the warp to thread until today.  Which is when I discovered that I had not done as good a job as I had thought.  Instead of progress, it felt like failure.

I'm supposed to be a 'master' weaver.  Today I am not feeling like a master of anything at all.

However, there is no learning without effort, and so I got nearly half of the warp threaded, then stopped for lunch.  I'm not certain the slight discrepancy in the warp ends will actually be a big problem, or is small enough that I can still get something out of this warp.  I put some extra on because I am still only getting to know this loom and if I have to, I can cut off after the first scarf and re-tie. 

A reminder that it took the best part of a year to get comfortable with the AVL keeps me going.  Obviously this is going to take longer than I'd hoped.  However, I still have a few more tweaks I can apply to the next test warp.  And each time I do this, it's a bit better.

Rome was not built in a day.  Getting to know a new loom will take time.

Wednesday, October 16, 2019

Meaningful Life

Tamara O'Brien



This week a young woman I never met died.  To those who knew her she was an inspiration - talented, kind.  Diagnosed with cancer, she struggled with the fact that she wasn't going to reach old age.  Instead she chose to live what life she had as meaningfully as she could.  Her friends and family mourn her absence from their lives.

In the interview linked above, she talks about how some people refer to getting cancer as a 'gift'.  She denies that cancer is any such thing, but rather for her it was an awakening.

So wise for one so young.

Over the years I have sought for meaning in my own life without really coming to much of a conclusion, just driven to do what I felt I had to do.  Until my brother died.

My brother was well loved in this community.  He worked tirelessly on projects he felt were important.  He sought always to become a 'better' person.  To be kinder, while not putting up with things he felt were wrong.  Like when, at the age of 10 or so, he stood up to a playground bully in defense of the younger children the bully and his buddies had been tormenting.

His death triggered survivor guilt in me.  Especially when I saw the church filled to overflowing, standing room only, including the balcony.  So many people my brother had touched, helped, inspired.

Why him?  I was the older one, why not me?  I had to come to grips with the fact that I was still here.  I chose to try and find a way to live with meaning outside of my own agenda.  To help others more.  To lift others up.  To shed light where it was dark, if I possibly could.

Awakening to the white privilege that is mine because of my accident of birth, I now see and recognize how that white privilege is ingrained into our society.  But I was also raised as a Christian, attending Sunday School weekly, listening to the words of Jesus - and as I grew older other spiritual leaders.  Recognizing that the spiritual lesson is love.  Not hate.  Not othering.

As the world staggers under the change of climate, storms worsening, wildfires burning hectares of forests, sea levels rising, humans also seem to be going a little bit 'mad'.  Resources are finite.  Petroleum will run out - maybe not today, or tomorrow, but at some point.  In the meantime we poison the ground and the water by squeezing every ounce of petroleum out.  We pave over the parking lots (thank you Joni Mitchell, who brought us that message in when, 1970?)

On the internet we bicker and shout at each other, trying to fix blame for whatever is happening that we don't like.  Fake!   Fake!  some of us shout, while ignoring the science, the data.

I have 'scored' left leaning on every questionnaire I've ever taken to determine political alliance.  I believe that we are all human, we are all related, none of us are lesser than the other.  That if something is a human right, then we all have that right.  Like access to clean drinking water.  I believe that people who have more than enough ought to expect to give a little more so that those of us who have little can have some comfort - like health care, housing.  Build a bigger table, not a wall.

For many years when I was first trying to build my business I looked forward to the day when I'd earn enough money in order to pay taxes.  To me that signified that I was finally a success.  I wanted to pay taxes to help support infrastructure, public libraries, schools, health care, etc.  It meant I could start paying back for those years when I didn't make enough money, but was never denied what I needed.  I had roads to drive on to go to shows, a hospital that would not turn me away, a doctor who would see me even when I didn't have any money.  Because those things get paid for out of the taxes our government levies.

A meaningful life means many things to many different people.  To me it means helping others to the best of my ability.  Even if all I can do is hold open a door.  Or vote for a government that sees the value in all people, regardless of skin tone.

Tuesday, October 15, 2019

And Still Not Perfect



If you look really closely, over there on the right you might be able to see that four of the ends are not in the lease sticks.

I was distracted today and nearly at the end of rough sleying, I took two pairs out of order.  This meant they were 'crossed' and when it came time to transfer the cross behind the reed...oops.

This is not terminal.  Not even close.  First I sighed - because still not perfect.  Then I simply made sure that both lease sticks were slid in under the threads that were crossed.  When I got to them in the threading, they were entered into the heddles in as close to the proper order as I could manage.  It really won't matter if they are not in perfect order - they just have to be close.  Rayon chenille has enough elasticity in it that having a couple of threads out of place by a couple of threads really won't make any difference to the weaving.

This is the last of my pre-wound warps.  By the time I finished threading, sleying, tying on and getting the header woven, it was after 4 pm.  I have other things I need to do today so I decided the weaving will just have to wait until tomorrow afternoon.  I may - or may not - get both scarves woven.   I have things to do tomorrow so it will depend on whether or not my energy lasts.   Once they are, it will be back to the Megado to see if I can make friends with her.  (She seems to be a 'her' to me.)

We have had typical autumn/October weather - grey, dreary and mostly wet.  It was blustery today and leaves were dropping - well, like rain.  I'm trying not to let the dreariness affect me too much, but I'm kind of at the end of my rope.  I may increase the amount of vitamin D I take, I might set up the SAD light.

For now I have done the minimum I wanted/needed to do and if I can make friends with the Megado with the next test warp, who knows?  I might even get a shawl warp into the loom.  Not that they will be ready in time for any of the sales, but it will make ME feel better to get that done.

Of course with a huge stash of rayon chenille, I found myself thinking up more ways I could use it.  So we'll see.

Monday, October 14, 2019

Beginner Mind



One of the most valuable things a teacher can do is fail.  Failure is a wonderful reminder of how it feels to experience 'beginner mind'.  When things don't go right, right from the get-go, you are forced to remember another time, another place, when you had to think through a problem and find a solution.

While working on the latest rayon chenille warp today, I found myself thinking about the Megado.  I bought the Megado for the benefits I knew it had, smaller footprint, easier to operate, but forgot about the fact that I did not befriend the AVL in a warp or two.  In fact, it took over a year to become friends with that loom, constantly tweaking my processes all along the way.  Then, when I upgraded to the Compu-Dobby, I had to do it all over again.   And again when the air assist was added.

Beginner mind helps remind me to be compassionate with my students.  Especially the Olds students.  Some of them are very experienced, which usually means they have processes in place that they might have to work hard to change if they decide to do that.  Some of them are quite inexperienced, which means they may not have the vocabulary - of language and of processes - in order to grasp principles.

This afternoon I beamed the second last rayon chenille warp.  Doug has just made a small tweak to the Megado and if all goes smoothly with these last two chenille warps, I could get back to the Megado by Wednesday.

I have a threading designed for the next test warp, and I am scaling up slowly.  Instead of 10" in the reed, it will be 12 (minus 4 ends, due to the repeat) and it will be beamed for three scarves instead of two.

I will pay more attention to the rhythm of this loom, which is very different from the AVL.  I think I have the threading sorted, with a stool that I can fairly comfortably sit at to thread.  I'm hoping Doug can install the lamp holders before Wednesday, too, because we have had a number of grey dreary days and it will be another dark navy (mostly) warp of 2/16 bamboo rayon - which is difficult to see.

Without the pressure deadline of trying to make inventory, I can relax and let myself think through additional tweaks. 

Remembering to embrace beginner mind was a good reminder today.  A little compassion for me, as I slither along on the slippery end of the learning curve.

Sunday, October 13, 2019

Of Toolboxes



A weaver's toolbox will reflect the quality of the cloth they routinely weave.  A weaver who frequently weaves rag rugs will have tools/processes different from one who routinely weaves damask in fine linen.  Unless s/he does both, of course.

Because we are not stuck in doing just one kind or quality of cloth, but anything that we wish to do. 

As human beings we discovered that tools could make a task easier, more ergonomic, increase efficiency.  But tools also take time to learn how to use them effectively, and not everyone wants to do that.

I have my standard type of textile that I enjoy making so most of my tools and processes have been honed to make the job of doing those fabrics as efficiently as possible.  Even though I won't be production weaving any more, there are just some things that are physically uncomfortable enough that I'd rather do them as efficiently as possible so that I can be done with that bit.

For example, threading and sleying the warp.  I had been weaving for over 20 years when I learned about the brass hook and how efficiently I could complete those tasks once I learned to use it.

It isn't that I don't enjoy threading, because I don't mind it.  I like the meditative quality of getting the threads into the heddles.  My back and neck don't enjoy it nearly as much.  So, for me, using this tool is a benefit.

I have other tools and processes that I prefer to use that others find puzzling.  But not everyone is the same, and no one has to do anything in terms of weaving in the 21st century.  I simply share what I do and let others judge for themselves if my processes/tools are something that they might find valuable.

So I use a temple - when I need to.   There are times when using one gives me the results I desire by working more slowly.  If I need to use a temple, I get into the mindset of using it, going more slowly in terms of weaving, but having fewer problems in getting the cloth I want.  I may adjust my weaving speed in order to carefully place the weft to the fell rather than my more usual speed when I beat it into place.

I like to use the warping valet (or sectional beam) but if those tools aren't available, I know how to beam a warp without them.  While I much prefer the bamboo or wooden blinds, I can use sticks or paper.

If necessary I know how to adjust the shed geometry of my looms by shortening the distance between breast and back beam, or raising the height of the back beam.

I can adjust my shuttle throwing to accommodate a tender yarn, or a cloth that is very open - or very dense.

These are all adjustments that can be made so that I am successful at what I am aiming to achieve.

Every new tool requires an adjustment period.  The Megado certainly is requiring me to tweak my processes, and under deadline pressure I am waiting until I've crossed a few more things off my list before I go back to that loom.  While I have made progress, more tweaks need to be made, and I need inventory, not more flawed test warps while I work through the slippery end of the learning curve.

For people wanting to learn more, take a class, preferably in real life so you can get real time feedback from an instructor.  If that isn't possible, then on line classes are available.  If you learn by reading, there are rafts of books (including mine) which will shed light.

There is no one correct answer in anything related to weaving.  It depends.  Fill your toolbox with as many different processes/tools as you can afford.  Know when to use a tool or tweak your process.  Keep learning.  Keep digging.  Keep peeling the layers off the onion of knowledge.

Those Pesky Numbers

Super Lamb, made from Superwash treated Merino Lambswool, offers the best of both worlds.  The special qualities of worsted spun*** wool are combined with the convenience of being able to machine wash and dry without fading or shrinking.  Garments made from our solid and heather shades of Super Lamb 2/24 retain their softness, resilience and durability after countless machine washings and dryings.  (taken from the Jaggerspun website)


When it comes to yarn, there is much confusion about how to tell what size it is.

This seems to have gotten even worse since so many people have come into the craft of weaving from knitting, where they don't generally use numbers at all but word descriptions.  It becomes even more confusing when weavers and spinners start using terms like 'worsted' and 'woolen' which mean something quite different to knitters and crocheters.

Add to that the fact that not everyone who weaves spins, and they may not understand 'worsted' and 'woolen' in terms of how fibre is spun into yarn either.

(Although I have it on good authority that those terms don't necessarily mean what most people think they mean anyway, but let's go with a simplistic explanation, ok?)

So getting fibre twisted up into yarn is a spectrum.  At each end of said spectrum are worsted and woolen.  Roughly speaking, worsted generally refers to having the fibres all lined up nice and parallel while woolen the fibres are every which way.  And then of course all the degrees along the spectrum, but let's go with the above.

How the fibres are prepared and spun will affect the yarn, as will how many twists per inch, both in the singles and in the ply.  The direction the fibre is spun and then plied can also affect the yarn.



So here we have two yarns that are rated to having the same number of yards per pound.  Are they the same?  No, obviously not.  They are both natural white in spite of the fact the one on the bottom looks grey in comparison to the one on the top.  (I am using a black and white photo which enhances the difference between the two.)

When I began weaving, the one on the top was identified as 2/8 cotton.  The yarn was - and still is - readily available in Canada.  It is ring spun from fibre that has been prepared so that the fibres are as parallel as possible.  It is smooth, strong and works very well for warp.  It is not, however, quite as absorbent as the one below which is readily available in the US as 8/2 cotton.  It has been open end spun, the fibres are disorganized, the yarn is weaker, loftier, and more absorbent than the yarn on the top.

The 2/8 cotton would be roughly equivalent to worsted spun yarn while the 8/2 would be more equivalent to woolen spun yarn if we follow that simplistic explanation I used above.

Do the numbers tell us anything about the characteristics of the yarn?  Well, possibly, if the numbers are being applied in the way spinning mills apply them.  

When I purchased directly from a spinning mill in Ontario, which I did for quite a few years, I was asked how many twists per inch I wanted.  I had no idea so I sent them a sample.  They told me I wanted 2/8 cotton with x numbers of twist per inch.  I don't now recall how many that number was, but it was the quality I wanted so that was what I ordered.  And then just put in repeat orders about once a year - because their minimum order was something like five cases.

According to some spinners, when the ply comes first, then the count, (2/8) that generally means a worsted type of preparation.  If the count comes first then the ply (8/2) that generally means a woolen type preparation.

Which brings me to the Jagger Spun website.  They widely advertise their yarn as worsted - as in the spinning definition.  Their counts are all expressed with the ply first, then the count.  See my *** in the opening quote.

So what do those numbers mean, anyway?

2/8 cotton means that a pound of yarn has been spun into (roughly - these numbers are only ever approximates) 6720 yards per pound, then two were plied together to create a yarn with approximately 3360 yards per pound.

The value for '1' for cotton is 840.  In other words, a pound of cotton fibre was spun to have 840 yards.  Finer yarns will have the value for 1 (840 yards) multiplied by their count - be that 4, 8, 10, 16 or whatever - then plied, usually with 2 plys, sometimes 3 or 4 or 8, depending on the quality of the yarn the mill is making.  Whatever the count is, divide by the number of plys to get yards per pound for that yarn.

Other fibres have other values for '1'.  

Wool(en) is 300 
Worsted 560
Silk is 840
Linen is 300

These are all imperial but more and more metric sizing is becoming common.

Ulla Cyrus-Zetterstrom's book Manual of Swedish Handweaving has the most succinct description of metric sizes that I have found.  She gives the formulas for converting Denier and Tex to metric as well, which is very useful, especially of you have purchased yarn from an estate sale.

I highly recommend finding this book just for the few pages of this information.  It should be readily available through second hand shops or in guild libraries.

For those new to the craft, learn and understand how the various numbering systems work.  Understand that how many epi you use yarns at can - and will - vary, depending on the quality of cloth you desire as your finished result.  

This very important lesson is addressed in level one of the Olds College Master Weaver program and really unlocks the secret to choosing an appropriate number of epi/ppi for your cloth when you begin to design your own.

Other things you might consider - a McMorran balance (or equivalent) and learning about burn tests.  Both important for identifying yarns purchased at an estate sale - because usually labels have faded or fallen off.  And never ever trust the label in the base of the cone.  Cones get used and reused, sometimes multiple times.

Did you figure out how many yards per pound in that 2/24 Jaggerspun?  It's worsted spun so the value for '1' is 560.  24 x 560 = 13,440 divided by 2 = 6720.  Approximately.

Saturday, October 12, 2019

Dribs and Drabs



With inventory to make and stash to use up, I designed a new scarf to use some of my rayon chenille stash.

So far it's been a qualified success.  These three shelves show the dribs and drabs of some of the solids that are left.  What I'm not showing you is the other shelves that are laden with yet more.  There is one shelf that is entirely variegated, one shelf that is solids but in a lighter weight.  The variegated is either 1450 or 1300 yards per pound; the lighter weight solids are 2000 yards per pound.  Not a combination I tend to use together in a warp in case of tension issues.  Or, if I do, I use them differently than the current design.

So I have been trying to use the 1450 and 1300 yarn for warps, then cross them with the 2000 ypp solids. 

Unfortunately I don't have enough colours in the 2000 ypp rayon chenille, so I have also been using up the 1450 as weft, too.  Which is why these colours are nearly depleted.

Yesterday I got the blue warp dressed and today managed to get one scarf woven with a darker blue weft.  This run of scarves is being woven longer at 80" in the loom, in part because people were asking for longer lengths.  My standard length in previous years was 72" in the loom, but that wound up about 66" in length after wet finishing. 

Unfortunately I don't have enough of the darker blue to weave a second scarf, but I found a partial tube of the lighter blue.  It doesn't have enough for 80" in the loom, so it will be shorter.  It will be as long as it is when the tube runs out. 

Not everyone is tall and wants a longer scarf as a friend just pointed out.

Currently reading Unto Us a Son is Given by Donna Leon - the latest Guido Brunetti mystery

Friday, October 11, 2019

Change/Confluences



Now that the brain fog is lifting and there are merely tendrils, not full scale fog, my brain is starting to work again.

This morning as I wove another rayon chenille scarf, only surface attention was required so - as I am wont to do - thoughts that had been buried or ignored began to bubble to the surface.  I kept thinking about Abby Franquemont's keynote at our conference in June, about how confluences can be turbulent.

Life is full of ups, downs, detours, confluences, but most of all, life is about change.  And yes, change is stressful, uncomfortable.  It is sometimes driven by confluences that we didn't see coming, didn't realize they were even on our particular road map.

As mentioned previously, I'm stubborn - or determined, if you prefer.  When turbulence hits my life I tend to put my head down, shoulder firmly to the wheel, and keep pushing towards my goal.  Apparently though, when I am going in the 'wrong' direction things will get more and more difficult, more and more challenging, until I have to stop, take a step back and realize that I need to go in a different direction.

This is sometimes an easy decision.  Other times?  Difficult.  Very, very difficult.

My plan, my goal, was to keep my business open and continue to participate in craft fairs for another two years.  Doug is reasonably healthy, and I have a pretty good grasp of my physical limits.  Or did.  Until I took the last cancer drug, which seems to have lasting effects in a negative way.  I had hoped that the muscle and joint pain would ease - which it has, to an extent.  But not entirely.  I hurt.  I am in pain most days.  I can still weave, but at no where near the pace I used to be able to do.

I had been paring back my teaching but thought that I could still do the craft fairs.  The past few months have made it abundantly clear that no, not even with the new loom, am I going to be able to production weave any longer.

Since coming to that realization in July, I have initiated efforts to begin closing the business of the studio down.  At the same time, I am dealing with the emotions of doing something I did not want to do just yet.  There is grief wrapped up in the burying of my goals, my dreams.  But I also realize that I have been incredibly blessed with all that I have experienced in this life because I made that fateful decision (with Doug's full support) to become a professional weaver in a society that frequently doesn't value hand made any more.

I was extremely fortunate in that I was able to work to make a niche for myself and find customers who were willing to pay a premium for my hand woven textiles.  I also found other craftspeople at the fairs who I enjoy spending time with, who will no longer be in my social circle because I won't be there myself. 

There is a daily push/pull of emotions as I find myself realizing that something else has to go.  But I also have moments when I spy a benefit.  Like this morning when I suddenly realized that I won't need to buy a city business licence any more.  It's not a huge amount, but still.  No business, no licence required.  Other things are more obvious - like giving up the annex and no longer needing to pay the rent on that.  Or the insurance on that location.  I'll still carry a rider on the studio because I have way more stuff than would be covered under a general household contents policy.

I won't have to carry business insurance on the van any more because we won't be transporting a van heaped with inventory and booth apparatus on winter roads.  The business telephone line - and the incessant spam phone calls - will go.  I won't have a business chequing account any more, just a personal one.  And I won't need to collect and remit sales taxes anymore because I won't be doing retail shows.  When I sell on consignment the shop does that.  Weaving will become my hobby, which it never was before.

There won't be critical rolling deadlines.  I will make time for other hobbies - reading, puzzle making, bobbin lace.  And of course continue to share my journey here with anyone interested in riding virtual shot gun.

Change happens.  Time to embrace this one.

Thursday, October 10, 2019

Stubborn

Stubborn:  unreasonably obstinate; unyielding; obdurate; inflexible; refractory; intractable.  (The Concise Oxford Dictionary)

So many negative connotations to the word 'stubborn'.

My mother called me pig-headed, saying she didn't know where I got my stubbornness from.  I so much wanted to tell her to look in the mirror!

She stubbornly worked tirelessly to take care of her family, make sure they had health care, food, clothing and shelter.  She went back to school in her 40s to get an early childhood education degree.  No small feat for someone who had English as a second language and grade 8 schooling.

I am, in large part, who I am because of my mother.  She modeled how to survive in a frequently unfriendly world. 

If one believes in such things, my astrological symbol is Cancer (the crab).  As a water sign, I long ago learned that water can overcome most obstacles.  If I couldn't go around them, there was always below, or in extreme circumstances, over them.  Water wears away even the most...stubborn...rock.


Drop after drop, I kept at it.  Until I achieved some rather large goals - GCW master certificate, bringing in enough money as a weaver to survive, or at least enhance our lives.  (Always with the support of Doug who for 9 years was studio assistant and sales force and VP in charge of assembly.)

Eventually (nearly) 1000 copies of Magic in the Water with actual before and after samples were created.

Co-chairing not one but several weaving conferences.  Teaching.  Writing.  Most of all...weaving.

Just like the drop, drop, drop of falling water wearing away the stone, pick by pick, thread by thread, weaving.

More recently, another book.  This one was different and I needed extra help to get it finished.  If anyone needs a good technical editor who also does textile arts, I can recommend Ruth Temple as a gentle and sensitive editor.

But I find that I am no longer driven like I used to be.  I commented to a friend yesterday that I have no more adrenaline.  That well ran dry some months ago.  But I stubbornly clung to my goals, my dreams.  I wanted very much to continue working/weaving for at least another couple of years.  But events conspired against me and finally I had to admit that I was done.  As in 'stick a fork in me' done.

Tuesday I went to the doctor and asked for anti-biotics for my sinus infection.  Today I'm feeling better and my brain is functioning again.  And I made the decision that becoming friends with the Megado is going to have to wait until the craft fair season is over.  It will be something to look forward to once the deadlines are all in the past and the pressure to produce inventory is history.

I may be stubborn, but I'm flexible.  Sometimes it just takes me a while to remember that I need to bend, before I 'break'.


Wednesday, October 9, 2019

One Step. Two Steps.


I love this photo of a swan, serenely swimming on a calm lake.  I wish I felt half this serene at the minute.

With three weeks to the first sale, I am woefully 'behind' where I had hoped to be.  But I'm also struggling to deal with shutting down my business (in very small steps, and it won't be shut down until year end but I needed to deal with some stuff before then).

I'm also dealing with a distinct lack of energy with which to propel myself at what actually needs to be done.  And so I have had to revise my goals and accept that almost none of what I wanted to accomplish between the conference and the first sale of the autumn will happen.

How little I mind gives me the clue that I am well ready to close my business!

To that end I met with the bank today and got some questions answered.  Things are now set up so that come January I will be able to close my business chequing account, then close my two sales tax accounts as soon as I've filed the taxes for those.

This morning I took 'off' and met a friend for coffee where we vented at each other, collected our energy and headed off for the rest of our days.  I even managed to knit a couple of rows.

This afternoon I have business administrivia to deal with.  Report and remit sales tax for GST (I did manage to get PST done the other day), go through my VISA bill and then see if I have enough money to pay it off.  With three shows coming up, I'm hoping that I can pay off my VISA bill and still have a little left over for the insurance and the rent for the rest of the year at the annex.

The local consignment shop has been notified that I will be bringing inventory in after the shows are over.  And I may try a Christmas sale via this blog.  The guild also has a sale in the guild room and I usually heavily discount discontinued lines or orphans.  That will happen Nov. 30/Dec. 1.

Last night we moved six bins of tea towels from the annex here, plus five boxes of yarn have been tagged to go to one of the local thrift shops.  But there is still a huge heap of stuff that will need to come here - somewhere.

The Woolhouse will get shipped today or tomorrow.  Doug has been working on the shipping crate and it's almost ready.  That leaves a fairly large space at one end of the studio where boxes or bins can be stacked.  I still have all my teaching stuff, because I need a lot of it for the Olds program.  I've committed to teaching at Fibre Week in June and offered to teach at one of the satellite programs.  If they'll have me.  There is also the heap of stuff for bobbin lace, which I hope to get back to.  The spinning fibre is already here.

I hear rumours that students are getting close to being ready to send in homework for marking.  With three in the Calgary area, who knows, maybe I'll bring home boxes again?  Or not.

We are beginning to claw our way out of the gigantic mess the studio devolved into as we re-arranged things, threw things away, sold things.  There are still AVL parts, but I have no time or energy to try to detail what they are so they continue to sit. 

While I am becoming friends with the Megado, there are still issues I want to refine/fine tune.  That is just going to take time and I've run out.  So last night I beamed and started threading another rayon chenille warp.  There are scarves to be fringe twisted.  And more to weave.

But I also have more hemming to be done and Doug will go on the weekend to deal with the last load of mats/runners - and then another two dozen mats and two runners will have to be done.

At least we have a sunny day today, which has helped my mood enormously.  Somehow things always look less fraught and more manageable when the sun shines.

I had thought I would be picking up my two reserves at the library today, but the parking lot there was horrible and after trying to park, gave up.  I'll try again tomorrow when it might be easier.  I'll be grateful when the construction to the entrance is done. 

For now?  I need to tackle the administrivia.  Then see about threading, sleying and tying on that scarf warp. 

Goals.  Working towards at least the bare minimum of what I'd hoped to get done.  Progress is progress, even if it is just one or two steps.


Tuesday, October 8, 2019

Seven Warps

No photo description available.

I share with students that when I learn a new technique/process, I give myself seven warps to learn it so that it becomes my new default. 

Becoming friends with the Megado is going to also take several warps, maybe that entire seven, before I tweak my processes so that we can work together well.

There are many things to love about the Megado.  For one thing it's a lot quieter than the AVL.  It's much lighter in terms of the physical effort required to treadle and move the beater.  Partly that's because I skipped the fly shuttle.  I rarely weave more than 36" wide in the reed and I can throw that distance without too much effort.  It is physically smaller taking up less space in my studio - a really important consideration as I try to move All The Things out of the annex and back here.

Now that I've got my laptop set up and can use Fiberworks to drive it, I'm much happier.  Still have to get a proper height table to put the laptop on, but Doug has been busy with other jobs of higher priority, so I'm making do for now.

All of my reeds fit into the generous beater so I can use all of my reeds, including the 9 dent which is taller than most.  I got it from Allen Fannin who routinely bought up mill equipment and just happened to have one when I asked.  (this warp is 2/16 bamboo/rayon at 36 epi with four per dent in the 9 dent reed)

Doug will add mounts to the loom so I can add my supplemental lighting.  With baby cataracts I need to have lots of light shining into the heddles so I can see them to thread.  This warp was a bit of a challenge because it is really dark hues - navy, black, green. 

I like the AVL tension box for a number of reasons but I'm still working out how best to use it.  The second warp went on much better but not quite 'perfect'.  The beam is very small so I'm having to get used to cranking multiple times to beam a - for me - relatively short warp.  Still have some tweaks to try on the next.

There is no auto cloth advance on the loom so I'm having to get used to using the brake release and advancing by hand.  Not a big deal, just needing to get used to it.  The loom also has a quite generous sweet spot so I can weave easily 2" or more before I weave out of the sweet spot.

Since Doug got the dobby solenoid sorted out the loom is working well in terms of reliably opening a correct shed.  Something the AVL was no longer doing and the final straw in my deciding to get rid of it.  Plus the noise.  Plus the physical effort to use it.  Something my aging body was no longer wishing to do.

The weft on this scarf is a slightly slubby rayon.  Because both the warp and weft are slippery, I'm not beating as such, but carefully pressing the weft into place.  That means I'm weaving more slowly than my 'usual' rhythm, but necessary for this cloth.  Sometimes you just need to adjust your rhythm and go more slowly to get the results you are aiming for.

This test warp was wound at just under 7 yards - enough for some sampling at the beginning and two scarves.  Enough even if I felt I needed to cut off after one scarf and re-tie.  But the tension seems to be ok so I'm going to carry on and weave the second scarf.

After this warp I will decide if I try the Louet tension box for two more scarves, or use the AVL again but tweak my process and try to beam a warp long enough for three scarves.  Things are different enough that I feel scaling up slowly is the best approach right now.

It's kind of like getting a new car with completely different features.  It takes a while to figure out where the window wiper lever is, the back window defroster, the sound system, get used to where the mirrors are, etc.  I had just hoped to be further along in the process, but being away so much, then coming home sick really put the kibosh on getting going.  And of course not feeling well, I was having trouble thinking and processing what needed to happen.

And now I suspect I have another sinus infection.  Much as I loathe taking anti-biotics, I think I am going to have to go have a chat with my doctor.  Plus I need to talk to him about the surgery on my foot, get forms filled out, get labs done.

Getting old is not for sissies...

Monday, October 7, 2019

Fair Fibre Wage



For 40+ years I taught, usually out of town, which meant creative packing and arranging travel.  The best way for me to approach teaching was to organize 'tours' where I would try to find two or three (sometimes more) events so that the various groups could share the cost of getting me to them.

Over the years I was able to earn more from teaching for individual groups because so many conferences were paying less than my already too low daily teaching fee.  So mostly I only applied to teach at a conference if it was in a location I wanted to visit, or if I had people in the area (friends/teachers) I wanted to spend some time with.

In the textile field there has been quite a range of payment offered and at times I had to weigh the 'exposure' I would get from teaching at a conference and hope that if people attending the conference found me helpful, I would get more opportunities to teach in that geographic area.

Eventually I had to come to grips with the fact that 'exposure' is at best iffy, and at worst, I would be attending and working at some conferences by subsidizing the event by being out of pocket.

Recently I heard of events being touted that were not paying the instructors to teach.  At all.  They were offering money towards travel, but that was it.  Since most events are geared towards the organizers making money, they were literally asking the instructors to make them money by not paying them any kind of teaching fee.

This is a disturbing trend that isn't confined to the textile arts.  I follow a number of authors on social media and one of them posted an 'offer' they were only too happy to refuse - attend an event, get a small amount towards their travel, present seminars for no compensation BUT they could sell their books at the author signing.  Oh, but the event would be taking 25% of any sales. 

Please, do not participate in any such event.  If no teachers (or other creatives - musicians, authors, artists) will take part in this kind of event, they cannot happen!

Conferences need to pay their instructors just like they pay for the venue and marketing.  Conferences need to cover the costs of getting the instructors to their event and pay for accommodation and food.

For our conference we chose to pay a travel allowance and per diem for food.  This allowed us to budget our finances accordingly.  We were as generous as possible in terms of the daily fee and prior to the instructors even arriving, their payment cheques were ready for them to pick up at the event itself.

They did not have to submit receipts which we then haggled over.  And they went home with their payment in their pockets rather than wait weeks (or more) for their payment.

We did this in part because it allowed our treasurer to track expenses very closely because we and the instructors knew how much money they were going to be getting.  We did not ask the instructors to finances the event by waiting for payment.

If we want textile crafts to continue to grow and remain healthy, we must pay our instructors a Fair Fibre Wage.  We must put money into the pockets of the people who are knowledgeable in order to keep them teaching us. 

We need to pay the designers, the artists, the musicians.  They need the income and we need their input.

Sunday, October 6, 2019

Sustainable

Organic  or not?




Over the years of my career, I have struggled with the whole issue of sustainability and the fibres I use in my practice.

When I first began weaving, I tried everything.  And by that I mean everything.  As I learned more about how fibre is grown, how it is made (synthetics), spun/dyed, the life cycle of natural and synthetic fibres, I eventually made some decisions that I tend to follow.

A friend educated me on the meaning of 'organic' and that it doesn't necessarily mean that no pesticides are used, but only approved ones.  Click on the link above for the entire article but here is a quote from it:

"Organic cotton, however, is grown without chemical pesticides or harmful fertilizers, which is why is it often seen as more environmentally friendly than conventional cotton. This does not mean that organic cotton is free from all pesticides or insecticides, however - organic cotton farming does allow for the use of natural and synthetic pesticides in moderate quantities. In turn, these natural pesticides can also be harmful. For example, Rotetone is a natural pesticide which was used in cotton farming since the 1800s until it was found to cause symptoms similar to Parkinson’s disease in rats. In 2011 a study from the US National Institutes of Health indicated a link between rotenone use and Parkinson's disease in farm workers, but the natural pesticide is not included on the FDA ‘white’ list. In addition, a study funded by the Natural Science and Engineering Council of Canada on four synthetic and two organic insecticides found the two organic insecticides to have a significantly higher toxicity than the synthetic counterparts."

There are so many steps along the production line, fibre to cloth, and there is the opportunity for impact to the environment at many of them.

So, my personal line in the sand is that I do not use anything that will not degrade back into dust.  I do use rayon, but have become concerned about the negative impact on the environment, yes, but also the health issues for the human beings who work in the factories where rayon is produced.  Once I have used up what I have, I will not buy more.

I think about the fact that as a weaver I add to the surplus of textiles we have in the world.  I take some comfort in that my textiles are 'slow' cloth:  my textiles are made by hand and will wear for years - in some cases, decades.  Which is another definition of 'slow' cloth in my books.

My advice is to learn as much as possible about how fibre is produced and the processes used to make it into cloth.  Or at least into the fibres and yarn that we, as spinners/dyers/weavers etc., use to create our textiles.

Many people are now growing their own fibres, be they shepherds, flax growers, silkworm raisers, etc.  Learn as much as possible about environmental impacts, not only of natural fibres, but synthetic ones.  Make informed choices.  Pay attention to the source of your information.  If it is from the Cotton Council, they may not be presenting good information about other competing fibres.  If it is from a website promoting organic, they may not be telling the entire story, either. 

Find out who is giving you information and seek out other sources of information.  In this day and age of 'fake' news, propaganda is rampant.  Think about who is telling you what (e.g. PETA and their misleading campaigns about wool) and be skeptical until you can confirm the information with other sources you trust.

So, cotton uses enormous quantities of water and pesticides.
Flax will strip nutrients from the soil which must then be remediated  after each growing season, plus the retting may release toxins into the environment.
Silk worms get stifled in order to preserve the long filament they have extruded.  Best quality get fed mulberry leaves.
Wool comes in an almost infinite variety of staple length, crimp, fineness/coarseness.  According to a large animal vet I know, mulesing is not practiced in North America, even in large flocks.  The animals are NOT butchered to obtain their fleece, they simply get a haircut.  A good shearer takes very little time to shear the animal who then enjoys a much cooler summer.  Domestic sheep MUST be shorn because they cannot shed their fibre as wild sheep can do.

Educate yourself.  Make informed choices.




Saturday, October 5, 2019

Turn, Turn, Turn





Turn, Turn, Turn

To everything there is a season...

Today I went through my ledger and completed the GST for the third quarter.  I was also notified that it's time to file PST for the first part of 2019, so those figures got added up as well.

I have an appointment booked with the bank next week to find out about what to do in terms of my business banking.  My accountant already knows that I will be seeing her in the new year to follow through on how to properly shut down my sales tax accounts with both branches of government

As I close out my business, I thought about the Byrds song Turn, Turn, Turn and how to everything there is a season.

Next year I turn 70.  I have no idea what the coming years will hold.  I hope to keep teaching for a while (the Olds program - I confirmed with the college last week that I am interested in staying on the roster).

Doug has been working like a navvy getting the studio re-organization done.  He's managed to sell some things, I've managed to sell some things.  Today he is getting the Woolhouse Margaret ready to be crated and shipped.

I am becoming friends with the Megado and will be keeping the Leclerc Fanny as well.  But I really didn't need the Woolhouse so it will go to a new home.

I have managed to weave down my stash, somewhat, and will continue to weave.  I'm still needing to remind myself that I won't need to weave at production levels because this year is the last year I will take my own booth at a craft fair.  Next year I will most likely still have pretty significant levels of inventory, but I can put that into the guild booth at Studio Fair plus the guild sale we usually have in late November, early December (this year Nov 30/Dec 1) at the guild room.  And of course there is the local Studio Shop run by the Community Arts Council.  Or on line sales.

My 'season' as a professional weaver is well into autumn.  A friend is keeping track of how many days until year end, but I don't actually want to know.  I'm working hard at staying in the moment, neither fussing about when the first show is, or when my last day as a business owner happens.

I chose to be a weaver as my profession; now I choose to have weaving as a hobby, a personal enrichment.  Studies over and over show that people who do creative things, who continue to learn, have better outcomes for 'old age' than those who don't.

My body is telling me loud and clear that I cannot sustain weaving for production.  Physically I am well into autumn.

I have physical issues I am dealing with, some I'm ignoring as best I can.  But there is no denying that I am a senior with a body that is wearing out.

Beginning on January 1, 2020 I will be focusing on keeping a good quality of life as my first priority.  Self care will mean that I weave, yes, but that I will also make time in my day for other things.

As autumn turns into winter, so will I embrace this change of season. 

No regrets.  Or not many.

Friday, October 4, 2019

Praise



Since I have been open about the challenges I have been having becoming friends with the Megado, I want to be completely clear about one thing.  The customer service I have been getting from Dave at Louet has been stellar.

Part of the challenge is changing to a loom so very different from the AVL I had been weaving on for the better part of 40 years.  There were aspects of the AVL I truly loved and having a loom that is different enough to require some quite different processes has been a challenge.  And that is on me, not the loom.

It is going to take me some time to tweak my processes and I am not expecting anything other than some time at the slippery end of the learning curve to make it work the way I want/need it to.

Some of the challenges were related to the different computer set up.  Dave spent the better part of 30 minutes one day getting the initial set up working with the built in software.  Not his fault I didn't like that software, he was kind enough to offer to help me get my desktop set up so that I could use Fiberworks, my preferred weaving software.

Between us, our schedules did not mesh for a couple of days, but on Sunday Dave spent a further 30+ minutes trying to get the desktop to connect and after trying everything he could think of we switched to the laptop, which did work.

That second session was pure customer service above and beyond the call of a company who has their very own built in computer with software. 

Yesterday I got the loom and laptop talking to each other after some further compatibility issues, and left trying to weave on the loom until today.

It didn't take very long to get everything up and running this morning and I set about weaving a further test swatch, then decided to go ahead and weave a scarf, if I could. 

I got about four inches into the scarf when shaft two stopped working.  I got Doug to come take a look because it appeared that the solenoid for shaft two had come loose from its anchor and I assumed it would be a fairly easy fix once the dobby head was off the loom.  But I wanted Doug to take a look and see what he thought.

So I shut everything down and Doug took the head off the loom to see about tightening the solenoid, but in the end it kept slipping so he emailed Dave for advice.  I remembered that Dave had said he was out of town so suggested Doug phone before the end of their business day.  With a three hour time zone change, that would be very soon.

Doug was able to reach Dave and explain the problem.  They had quite a long conversation about what to do, and while Dave said he'd never heard of another instance of this happening, he was able to give Doug suggestions about what to do.

It took a bit of finagling to get the head mounted into the loom again, but eventually it was and Doug readjusted the blade, which had gotten slightly out of alignment in the process.

And then I was able to connect the laptop again, and weave another test section. 

I am so very impressed with the service that Dave provided through all of this initial stage of getting to know the Megado.  He never once talked down to me as I fumbled my way through the computer set up.  He did not blame me or Doug for the issue with the solenoid.  He thought through the problems I was having, came up with suggestions to fix the situation and walked me through the steps in getting the loom running.

I have only owned a very few looms in my career, and this level of respectful customer service is so very much appreciated. 

There are still things I need to work on, but getting this warp into the loom has provided valuable information about what I need to do to come closer to my goals.

I am able to use Fiberworks, which means I don't have to learn new weaving software.  I can even load my files from my main desktop, where I do most of my designing, onto a thumb drive so that I can access those files from the laptop.

The loom itself is very light to treadle and while there are a few more tweaks I might get Doug to address, it feels comfortable to sit at.  I even had a tall enough stool that I didn't have to purchase another.  The loom is quiet although I may go back to using my headphones which will help filter out the sound of the solenoids activating.  But even that isn't particularly noisy.

I was able to thread the loom without too much trouble once I found out that the breast beam lifts out in order to get closer to the shafts.  Doug will mount lamp fittings so that I can add a couple of lamps to shine into the heddles.  As winter comes on, having the supplemental light will become even more important.

But more than anything, I just want to say that Dave at Louet gets 10 gold stars from me for the customer service he has provided.


Thursday, October 3, 2019

Cautiously Optimistic


I spent the better part of today getting the test warp ready, then failing to get the loom to run.  Stopping for lunch, then a quick trip to the chiropractor, I thought of one tiny thing I might have forgotten to do to make the loom's built in software work, and when I got home checked.  Sure enough, while I had saved the file in .wif format?  I had not used the liftplan option.  A quick edit to the file and I was able to get the loom weaving.

But I don't much like the built in software after using Fiberworks, so I thought I would try once more to see if I could get the loom to talk to the laptop via Fiberworks.

Once again the message 'com port failed to open' appeared on the screen and then just as I was going to go back to the Louet software, a further message popped up - 'restart to finish setting up changes'.

Huh.  I was pretty sure I'd done that, but ok.

So I shut everything down on the laptop, set it up to make changes and restart and came back a few minutes later.  Watched pots never boiling and all.

Once again I opened Fiberworks, selected 'weave' and once again got the 'com port failed to open' message.  Then I figured what the heck, all the settings said the com port should be valid, and without much hope I stepped on the treadle.  And what to my wondering ears happened?  Solenoids fired.

OK, let's see if it is actually going to work.  Stepped on the treadle again and a shed opened. 

Again, and the next shed opened.  And again!  So I started weaving and amazingly enough I was able to weave for over an inch with each shed opening.

However, after fighting with it for over two hours today, I was wrung out.  It is also going to take more than an hour to weave a scarf, so I shut everything down and will try again tomorrow.  Which will be the true test - can I get this working reliably?   I know dozens of people all happily weave on their Megado Looms.  I should be able to as well.  My love/hate relationship with computers notwithstanding...

Now that I've managed to get the loom working once with Fiberworks, I am cautiously optimistic that tomorrow I will be able to complete the first test scarf.  I know I put a little extra on just for the purpose of testing, so even though I've used up about 8" of warp, there should still be plenty for two scarves.

I have also learned that I need the standard shuttle because the low profile one keeps submarining.  I am getting comfortable with the rate of weaving which the loom seems to prefer.  It's a bit slower than I'm used to, but I am trying to remind myself, daily, at times hourly, I no longer need to weave at 110% efficiency.  I will be retired from production weaving in less than three months.  It's ok if I work at a slower pace than 'usual'. 

So I end today cautiously optimistic about tomorrow.  And will go weave a rayon chenille scarf and try to find my zen mindful/mindless weaving.

Wednesday, October 2, 2019

Slippery



Today I worked at making friends with the Megado.

It is very different in a number of ways from the AVL and so I'm having to tweak this, try that, not entirely satisfied, but knowing that the learning curve is always very slippery at the beginning.

Not entirely sure I had enough yarn to beam a 10 yard long warp I cut back to 6 and a bit yards and it was a good thing I did because a couple of spools ran out and a couple more were getting very close to used up.  Which is A Good Thing, but still, I didn't want to run out in the middle of a longer warp.

There are a number of differences that I am going to have to figure out and the big one today was the sectional beaming.  I didn't much care for the Louet tension box, so asked Doug to retrofit the AVL tension box.

However, it happens that there were some wrinkles in doing that and I am going to have to try another test warp and see if I can't smooth things out in a way that will work for me.  Let's just say the tension isn't great, so another good reason to cut back to a much shorter warp.

When this warp comes off I will do another test scarf warp, again 6+ yards, and see if I can't get better results.

There are other quirks of the loom that are different, like not being able to lift the shafts easily.  At least not that I can see currently.  I will look more closely once the warp is off again and see if there isn't a way to move the shafts individually.  I had thought to raise the shafts to make them a little easier to thread but couldn't figure out a way to do that.  Yet.

I'm not entirely loving the TexSolv cord at the ends of the shafts, which look like they absolutely must be in the groove in order to lift the shafts properly.  They kept popping out as I threaded and finally I just left them and will put them back in before I fire up the loom to actually weave on it.

Happily I discovered that the breast beam can be lifted off easily and was then able to get close enough to the shafts to thread the warp.  And as a temporary measure I was able to direct one of the work table lamps to the back of the shafts so that I could see to thread.  This will become very important as winter comes on and we have very short, often grey dreary days.  I may get Doug to mount fittings to the loom so that I can add lamps to the front of it.

I had hoped to beam 20 yard long warps, but the back beam is quite small which means lots of cranking.  On the other hand, I no longer have to weave at production levels.

All the tweaking, trying this, trying that, meant that dressing the loom took a lot longer than I had hoped.  But it's beamed and threaded and the reed put into the beater.  Tomorrow I will sley and then fire it up and see how it goes.  I can always sacrifice the warp if the tension issues become too great.  The silk was a gift, so not much invested in it in terms of money.  My time is far more precious to me right now so if it looks like I won't get a good quality textile off this warp, I will make the sacrifice to the Megado loom goddess.  She is new here and may need some bribes to co-operate.

Tuesday, October 1, 2019

Tardis

Over the years I have adjusted and re-arranged the studio to suit my needs of the time.  This time is more than just a tweak but a full blown 'toss it like salad'.

Making the decision to close the studio as a business has been emotional, yes, but it has forced me to closely examine what it is I will be doing come 2020.  Because I will no longer need to weave at production levels.

Between us, we have managed to re-home some of the production equipment.  I had little expectation that anyone other than me would want it, so it was a pleasant surprise when we found someone just a day's drive away who wanted the pirn winder.  I hope that she has it installed and is now happily using it.  The AVL was broken down into pieces and some of those pieces have also found new homes.  I'm still waiting on one person to let me know if they still want what they expressed an interest in. 

As we sorted through the heaps and piles of rubble, other decisions needed to be made.  Since I will no longer be beaming warps sectionally from mill cones, the metal rack Doug had retrofitted for me for that purpose, and which had turned into a clutter collector, could also go.  That went this morning and left this gaping hole:



The large pieces of 'paper' are actually pulp 'boards' and over the years they have proven to be extremely useful for various and sundry things.  They lived behind the rack, out of sight and out of the way.  We will likely keep them and Doug will customize another shelving rack to fit in the hole the rack left.  The annex still has shelves full of boxes of...stuff...that needs to come here.  Some of the boxes are filled with acrylic yarn and their destination will most likely be one of the thrift shops.  I will keep some to use for tying warps off, but I certainly do not need all of the boxes.

The computer cabinet is now officially my music cabinet:



Moving it from where it was beside the loom, taking up a large amount of real estate and tucking it into a corner means that the wall to the right (as I look at the photo) now has room for more shelving or piling of boxes.  Doug says there are still shelves at the annex he can modify so that corner to the right can be assigned to more storage.

The thing is, as I weave down my stash, sell my inventory, things will continue to change  Right now we are working on the theory that my studio is a Tardis and we can stuff more things into it than has any physical right to go.

Today Doug should get the sectional box modification done on the Megado, and then he will work on getting a quote for crating and shipping the Woolhouse Margaret.  The loom was spoken for within 20 minutes of my posting that I wanted to sell it, plus there is one person on a waiting list in case the crating and shipping is too expensive for person 1.

So there will soon be the floor space the loom is currently taking for more storage.  Ultimately I don't have to have everything moved here until I am ready to hand in notice to the landlord, but I'm trying really hard to make decisions based on what my future holds, not on my memory and the priorities of my past.