I've talked about my resources before, my 'libraries' of drafts that I can browse through, evaluate for their potential for being the 'next' warp in the queue.
The one open is the latest, the draft I'm using being the one partially covered by the blue arrow. The booklet is called The Fanciest Twills by Irene Wood, based on the drafts developed by Fred Pennington, as I understand it. All (or most, there are a very few at the back that are on more than 16 shafts) are done on a 16 shaft point progression. Most are symmetrical, although not all, such as the one I'm currently using. which has a symmetry, but not up and down as well as side to side. As such it creates stripes in the cloth.
Other books have been in my library for a very long time, like the Oelsner, which has drafts for 4, 6, 8, 10 and on up. There is a section for twill based weaves, but also sections for other weave structures. Well worth the price if it is something you are interested in. Should be readily available second hand, although it might be a Dover publication, so not terribly expensive new, either.
The other book is a much newer book, purchased on a trip to Sweden. As it happens Kerstin Fro:berg knows one of the authors, and introduced me to her when we ran into each other somewhere. It is a book similar insofar as it is drafts, various numbers of shafts involved. It has a number of weave structures that are not very common in North American, and because I had actually met one of the authors, bought it.
I use these books as jumping off places. I browse through them looking for ideas, for inspiration. Usually I know what I want to make (what function the cloth is to perform) but I may not have a clear idea as to design or weave structure, beyond a category (twill, lace, etc.)
So I idly thumb through with my idea simmering on the back burner, looking for something that appeals to me that would be suitable for the function, and perhaps the colours I have on hand.
Right now my primary mission is to use up what I have, not buy more, so there is that creative constraint as well.
I'm pleased enough with how the red and black is weaving up that I will go ahead with the other three warps I've pulled, plus look to see if I can re-combine the yarns to make one or two more warps in this same design.
And after that? Well, I will just have to wait and see. There are scarves to be made and 2/16 bamboo from Brassard to use, a variety of fine rayons in lots of different colours and textures to use up. And all that silk. The silk may take a while longer to simmer before I feel up to tackling it.
Currently reading Benefit of Hindsight by Susan Hill
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